What the Writer Thought of the Event Essay Example for Free

What the Writer Thought of the Event Essay What the event symbolized for America was explicitly stated in the editorial — Woodstock was the kind of success that could be achieved when there is benevolence among people. Everyone saw a disaster out of Woodstock in the beginning. People predicted it would end out a havoc. Even hip radio stations warned people against it. It was easy for the Americans to think that such a large gathering of people in such a place would end up to no good, especially when it’s the youth that is involved. However, as the event turned out to be a success, America realized that it is not impossible for people to come together and be in a state of harmony at the same time. More importantly, Woodstock became a realization for America that the power of benevolence could do such amazing things, and could rise above such adversities as shortage in water, toilets, bad trips, and even thunderstorms. Aside from these, Woodstock symbolized for the rest of America that their youth is not going down the drain. Instead, their youth is worthy of respect and emulation, because amidst the prejudice against their capabilities and their culture, is their power to rise above the adversity and to display such a culture of good will among perfect strangers. For the parents of America at that time, Woodstock was a â€Å"wakeup call’ that their children did something worthy of their approval , and that this is what is important amidst the drugs and the display of nudity. The bottomline is that Woodstock, for America, had become as symbol of both the power of the youth and the power of benevolence, and the beauty that comes when these two powers work together. For the writer, not only was Woodstock Music and Art Fair an â€Å"Aquarian Exposition of music and peace . It was much more. It ranked among one of the most important sociological and political events of the decade. Not only was it the largest happening that ever was in history at the time, it was also a public announcement of the culture of America’s youth in the sixties. It was a manifestation of their â€Å"strength, appeal, and power† (TIME, 1969). Along the article, the writer pointed out how massive the gathering was, even estimating that had the roads not been blocked, there would have been a million people between the age of 16-30 at Woodstock. And though the writer acknowledged the presence of the largest gathering of rock idols as a bait for the crowd to come, he pointed out a more analytical reason for the gathering. According to him, Woodstock was a kind of â€Å"pilgrimage† where the youths sought to discover that there were hundreds of thousand of people who shared their culture, in other words, that they are not isolated, as they have previously thought they were (TIME, 1969). The writer was also quick to acknowledge the fact that the old generation of Americans initially saw the event as a â€Å"squalid freakout,† but had experienced a change of tune, which included even the New York Times . Along with this, however, the writer ran a paragraph that told about both the â€Å"deplorable† and commendable things about the event that could be the reason for such a two-sided perception of the event. The bad side of Woodstock that the writer perceived included deaths and illnesses from drugs, as well as the deplorable case of sanitation, accommodation, garbage, and rains throughout the event. However, the writer exalted in the fact that â€Å"there were no rapes, no assaults, no robberies and, as far as anyone can recall, not one single fight† (TIME, 1969). In the length of the rest of the article, the writer presented several analysis of the meaning of Woodstock. Among these was that Woodstock was a manifestation of the youth’s valuation of self over society, and aside from the youth’s total separation from the norms of the past generation, was also a manifestation that the adults could not control them anymore. However, along with these was the youth’s perception that they are changing the society for the good and that they did not need someone to lead them since they already have each other . In the end, the writer was able to send a message of questioning to his readers. A question of â€Å"to what purpose† could the outpouring and extremely powerful emotions of the youth could be harnessed politically. His advice was made implicitly by quoting what a sociologist had to say about the event . Towards the end, the writer’s advice turned out into a warning about the possible negative impacts of the event, instead of a dawning of enlightenment .

symbolaw Symbols and Symbolism - Clothing as a Symbol in The Awakening

Use of Clothing as a Symbol in The Awakening    In the novel, The Awakening, Kate Chopin takes Edna Pontellier on a journey of self-discovery. In doing this, she uses many symbols to show the relationship between Edna and the world. Clothing, or rather, the lack thereof, displays this relationship well. As Edna progresses throughout the novel, she discards more and more layers of the confining à ¬clothingà ® that surrounds her body and soul. By taking off her clothing, one piece at a time, she disobeys the rules that society has set for her, and in doing this, she exerts her independence. In this summer voyage, Edna becomes a free woman.    In the Victorian society that Edna lives in, the proper attire for women requires them to wear very confining clothing. This clothing symbolizes the constraints on the social behavior of women in this age. It restricts Edna's body and impedes her freedom to move. At the beginning of the novel, fully dressed Edna wears all the proper clothing. However, when Edna and Adele walk together to the beach, Edna wears considerably less clothing than that of her companion. Adele wears a veil, gloves, and ruffles to protect her body. Edna wears a thinner, simple dress and removes her collar and unbuttons her dress at the throat once at the beach. She chooses not to cover herself as harshly as Adele. Adele portrays the picture of a perfect Victorian woman through her manner of dress. Edna's decision to free herself more than Adele symbolizes her growing rejection of Victorian society rules.    Edna becomes distraught when she discovers her friend, Robert, is leaving. She goes home and sheds her clothes for a more comfortable wrap. She casts off more layers of conventio... ...bsp; As a final profession of her freedom, Edna discards her last layer of clothing until she stands naked on the beach. She swims out into the ocean and drowns there. Her final act of independence required her to end her life. She shed the final constriction on her life when she stripped herself alone on the beach. She frees herself from social conventionalism and at last opens herself up to do something totally for her own reasons and rules.    Throughout the novel, as Edna sheds herself of the clothing and possessions that surround her, she becomes more liberated, free, her own woman. The clothing represents the society that confines her and the independence that stripping the clothing gives her enlightens her soul. Kate Chopin uses clothing as a way of conveying the social injustice imposed upon women in the Victorian age in which they were trapped.

Critical Perspectives on Accounting Essay

In this article Marcus Milne provides critical overview and analysis of literature devoted to establishing evidence for positive accounting theory in regards of corporate social disclosure. The central argument of the paper is that positive accounting theorists are trying to colonize social and environmental accounting research. The present article is empirical research and the author employs qualitative and quantitative data to support the claim that positive accounting theory of social disclosure has failed in its endeavor. The author’s purpose is to challenge the perceptions of positive accounting theory and to illustrate why efforts of theorists to social and environmental accounting has failed. The author focuses on the original work of Watts and Zimmerman and tends to present their concern and ideas with the lobbying behavior observed in US oil companies. The companies were claimed to be monopolists and self-interested politicians that had pursued mainly wealth transfers in the form of taxes and other political costs. For them, social responsibility is passing remark. The article is useful to my research topic as Milne suggests that modern businesses and companies should be more concerned with social and environmental responsibility as our world’s resources are not unlimited. The main limitation of the article is that only one original work is incorporated – the article presents one viewpoint without presenting multiple views on the problem. The author indicates that literature on positive accounting theory has failed to provide arguments for self-interested managers’ wealth maximizes. The article will be useful supplementary information for my research on social and environmental responsibility.

The Devil At The Dawn Of Christianity - 904 Words

The devil at the dawn of Christianity bore little resemblance to the ruler of hell, the antichrist and agent of evil that he is known as in present day. Satan makes few overt or implied appearances in the Old Testament. For the important role of God’s greatest adversary, early Christians had to flesh out great parts of Satan’s story in order to develop him into his present, fearsome persona. The Christian story of the Devil is heavily influenced by earlier Greek mythology, and early Christian writings about the Devil co-opted local mythology in order to gain new converts and discredit popular pagan beliefs. In the Old Testament story of Job, Satan is one of God’s angels. In order to become the Satan of evil, he must fall from God’s grace and vacate his position in His court. Greek mythology told the story of an epic battle in heaven between Zeus, god of heaven, and Typhon, the most fearsome of the giants, with â€Å"100 dragon heads, coiling serpents for legs and hundreds of hands† (Littleton, 149). Zeus succeeded in casting Typhon out of heaven forever, and the beast is said, variably, to either be destroyed in Mt. Etna, or banished to Tartarus, the deepest level of the underworld. In Revelations 12: 7-9, Michael and the angels fight Satan, described as â€Å"the great dragon†¦ that old serpent†, and cast him out of heaven and into hell. Early versions of 2 Peter, telling the same story, even use the word Tartarus, which is later replaced with hell in King James and other popularShow MoreRelatedSymbolism In Young Goodman Brown960 Words   |  4 PagesIn the short story â€Å"Young Goodman Brown,† the author Nathaniel Hawthorne shows the fragility of humans when it comes to their morality. 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